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Work by Anna Gustafson: white cast handheld device with a long nozzle mounted on a wall of small white pegs.
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International Residency

Anna Gustafson

Work by Anna Gustafson: white cast handheld device with a long nozzle mounted on a wall of small white pegs.
Work by Anna Gustafson: black and white view of a wall of small white cast objects and a stacked tower of white blocks tangled with cords.
Work by Anna Gustafson: three white padded rectangular objects with handwritten paper labels, stacked on a white wooden surface.
Work by Anna Gustafson: open ledger book with handwritten columns of numbers, lying on a white wooden surface.
Work by Anna Gustafson: bundle of white block-shaped objects hanging in a net from the ceiling in a white-paneled room, with a taut line to the wall.
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Using common objects Anna Gustafson explores the intersection between the natural world and human behaviour, while grounding her work with research in history, science and communication. For the past six years Anna has been enshrouding discarded small appliances and single-use plastic containers in linen - just as we once prepared our dead for burial. While continuing to enshroud anthropomorphic detritus, she has been researching the various influences of her bi-cultural immigrant background. Gustafson’s artistic practice combines a spare aesthetic with a sincere use of materials and rigorous methodology to create narratives that resonate with the synergy between idea, material and technique. She chooses to work with a limited palette and vocabulary of natural materials and found objects.

Anna Gustafson was conceived in Guatemala to an Italian/Guatemalan mother and Swedish father, born in Sweden and raised in Vancouver, Canada. Gustafson's long view has benefited from being nurtured in a multi-cultural family within an immigrant perspective. An important premise of her work is that we best remember information and events through our senses and associated emotions. With a strong sensory component, her work is a catalyst for deep emotion and conversation, that encourages each viewer absorb and retain their experience. An honours graduate of Vancouver School of Art - now Emily Carr, Anna has shown in public galleries since 1974.

Anna Gustafson's residency at NARS is made possible by Canada Council for the Arts.

Canada Council for the Arts, Conseil des arts du Canada logo, with a black stylized tree emblem and the bilingual name in bright blue text.

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