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Jill Smith, Detail of open-end, 2023–2024: copper-colored key-shaped form with branching, coral-like growths, attached to a white pillar.
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International Residency

Jill Smith

Image: Jill Smith, Detail of 'open-end', 2023-2024.

Jill Smith, Building a house of windows, 2026. Photographed by Max Yawney. Image description: Small square images on thin stems project from a white wall in a gentle arching line, casting long diagonal shadows.
Jill Smith, 'hanging by a thread', 2023-2024, metal chains, Moishe’s kosher dills, paraIin wax, glass, XTC-3D, spray sealant, resin, plastic pearls, variable dimensions. Detail image. Image description: Detail of thin vertical chains and threads hanging in a pale space, strung with brown pickle-like forms, white blobs, and small pearls.
Jill Smith, 'I keep telling myself there is no such thing as emptiness', 2023-2024, glass jars, metal chain, freshwater pearls, variable dimensions. Detail image. Image description: A tabletop crowded with clear and frosted glass jars, many slumped and warped as if melted, some resting on a sheet of pale paper.
Jill Smith, 'judgement', 2024, copper-plated key, murex sea snail shell, plywood, ash, Winterstone Sculpting Mix, wire, metal jewelry chain, freshwater pearl, plastic pearl, 15”L x 12”D x 35”H. Image description: A delicate mobile hangs from a pale wall-mounted form, a thin gold bar suspending a small copper key and a shell on chains, casting long shadows.
Jill Smith, 'judgement', 2024, copper-plated key, murex sea snail shell, plywood, ash, Winterstone Sculpting Mix, wire, metal jewelry chain, freshwater pearl, plastic pearl, 15”L x 12”D x 35”H. Detail image. Image description: Close-up of a key encrusted with knobby copper-orange growths, hanging from a thin chain against a white wall with its shadow beside it.
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Jill Smith is a queer, Jewish multidisciplinary artist whose sculpture-based practice examines how materials, objects, and rituals carry—and sometimes refuse to carry—memory, narrative, and identity.

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Jill Smith’s practice investigates material in relation to fragmented narrative, history, and identity. Working in sculpture and installation, she explores the archival properties and potential of materials and objects, with a particular focus on how they can embody memory and touch. Influenced by Donna Haraway’s notion of Speculative Fabulation, Smith approaches material processes as ways of imagining otherwise—inviting narratives that blur time, lineage, and boundaries. She carefully assembles and alters familiar materials and forms—often paradoxical—evoking a sense of tension between presence and absence, connection and distance. Grounded in identity and symbolism, Smith’s practice examines the archival limits of materials to reconnect, reimagine, or challenge gaps in inherited histories.

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Jill Smith (b. 1995) is a queer, Jewish multi-disciplinary artist based in Toronto. Smith holds an MFA from University of Waterloo (Waterloo, CA 2024) and a BFA (Honors Specialization in Studio Art) from Western University (London, CA 2017). Her work has been exhibited in Canadian spaces, including the University of Waterloo Art Gallery, Centre[3] for Artistic + Social Practice, Xpace Cultural Centre, and Forest City Gallery. Smith has participated in artist residencies including Gibraltar Point (Toronto, CA), AGA LAB (Amsterdam, NL), and Sparkbox Studio (Picton, CA), and has received scholarships and grants from the Social Sciences and Humanities Research Council (SSHRC) Canadian Graduate Scholarship, Canada Council for the Arts, Ontario Arts Council, and Toronto Arts Council.

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